Eventually, they would discover the story. When the user would lean in any direction, the fans and the audio would give them the sensation of flying through a nonvisual space. For example, I collaborated on an installation called “Soliloquy.” We blindfolded the user, put headphones on their ears and sat them on a stool in the middle of a bunch of fans. That’s when I really started thinking about visual and nontraditional storytelling. While I worked there, I attended NYU’s Interactive Telecommunications Program, a graduate school exploring art and technology. Much of my data exploration was with visualizations, but never for publication. My first job was at ESPN in 2009, writing data-driven stories about the NHL draft. How long have you been in creative/visual journalism, and how did you get your start? Independent data journalist and assistant professor of journalism and design at The New School and, until recently, head of visuals and data at The Guardian US.
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